Dakota Santiago 鈥16 decided to work for The Gothic Times, the University鈥檚 student paper, because NJCU didn鈥檛 have a photojournalism course. 鈥淪o I made do,鈥 he says with a little laugh. 鈥淚 took every photography course I could in the Fine Arts Department and supplemented the journalism side with the newspaper.鈥 It wasn鈥檛 long before the soft-spoken Santiago鈥檚 work began to speak for itself. He soon became the paper鈥檚 photo editor and, in his senior year, he took his art to the next level, beginning a photo series as an independent study.
Titled 鈥淲orking Class New York,鈥 the series documents the often-forgotten factory workers in the industrial region between Brooklyn and Queens and depicts a poignant and rough-edged slice of life.
The subject matter of this series has special meaning for Santiago. 鈥淢y family has always been working in manual labor. My father was a delivery driver for the New York Daily News. My uncle was a roll-off truck driver for a lot of sanitation companies. And I followed in my father鈥檚 footsteps; for five years I worked at the printing plant at the News to pay for college,鈥 he says. 鈥淚 noticed there wasn鈥檛 much coverage devoted to that sector of society and felt that a face needed to be put on the people who work in these jobs day in and day out. We all see the results of their work, the products they make, but most of us don鈥檛 notice the workers.鈥
Santiago continued to work on 鈥淲orking Class New York鈥 after he graduated and the series continues to garner rave reviews. In fact, it earned Santiago a spot in the Eddie Adams Workshop. Named after the famed war correspondent, the workshop is an intense four-day event led by many of the best photojournalists and photo editors in the country. He was one of only 100 students from around the world invited to attend.
鈥淚t was amazing,鈥 he says. 鈥淚 got to refine my craft. And I met with editors from Time Magazine, The New York Times, Washington Post, Wall Street Journal, and many others. It was a great opportunity to make connections.鈥
Since the workshop, Santiago鈥檚 photos have attracted notice from The Museum of the City of New York. He was also accepted into the Fourth Annual New York Times Lens Blog Portfolio Review; and has been published by Time Magazine鈥檚 Lightbox, Jersey Journal, and the Newark Star Ledger.
All the while Santiago continues to add new images to the 鈥淲orking Class New York鈥 series. Although NJCU didn鈥檛 have the photo-journalism major Santiago wanted, Santiago is quick to credit his recent success to his professors. 鈥淒eborah Jack, Barron Rachman, Mauro Altamura, and the photo technician, Eddie Burns from the Photography Department all helped and guided me throughout my time at NJCU,鈥 he says. 鈥淚f it wasn鈥檛 for them, I would most definitely not be where I am today.鈥